As Messina celebrated the Sicilian holiday of Ferragosto, thieves struck the MuMe museum to steal the masterworks by Antonello da Messina.
Published On ۱۷ Aug ۲۰۲۶
Thieves have stolen four Renaissance masterworks by Antonello da Messina valued at up to ۸۰ million euros ($۹۳m) from the MuMe Regional Interdisciplinary Museum in the Sicilian city of Messina in Italy.
Cultural officials and Italian media reported the theft on Sunday, saying the heist occurred at about ۹:۵۰pm (۱۹:۵۰ GMT) the day before, during Sicily’s major Ferragosto holiday.
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Italian news outlet Il Giornale dell’Arte said that the perpetrators had exploited the citywide distraction of the traditional Vara procession, which drew police and large crowds to central Messina.
Italian daily Corriere della Sera reported that the thieves cut through metal perimeter fencing along Viale Annunziata to gain access to the grounds. They then forced open a side door to enter the gallery halls. Once inside, the group breached an armoured glass display case to extract a small, double-sided tempera panel dating back to ۱۴۶۵-۱۴۷۴.
The portable devotional piece features the Virgin and Child with a Franciscan Monk on its front and Christ in Pieta on its reverse. Originally part of the Wilhelm Soldan collection from ۱۹۳۰, it was acquired by the Sicilian region at a Christie’s auction in ۲۰۰۳ following its formal attribution to Antonello.
The perpetrators also dismantled all five remaining tempera-on-wood panels of the historic San Gregorio Polyptych. Commissioned in ۱۴۷۳ by Abbess Fabria Cirino for the monastery of Santa Maria, which was subsequently destroyed in Messina’s ۱۹۰۸ earthquake, the altarpiece stands as the only surviving masterpiece by Antonello that remained in his hometown. The thieves made off with three key sections of the piece.
Italian outlet Repubblica reported that the thieves abandoned the remaining two panels depicting Saint Benedict and Saint Gregory resting against a wall near the museum grounds.
‘A real movie-style heist like at the Louvre’
“We are devastated by what happened. They were two of Antonello da Messina’s most important and best-known works,” museum director Marisa Mercurio told Italian news agency ANSA.
Local Culture Councillor Enzo Caruso told outlet Il Tirreno: “Nobody in Messina could have imagined a real movie-style heist like at the Louvre.”
Caruso said that international interest in Antonello’s oeuvre had expanded after Italy’s Culture Ministry purchased his Ecce Homo painting for $۱۴.۹m earlier in the year.
Lynda Albertson, CEO of the ARCA art crimes research association, told La Repubblica that “stealing an Antonello may be far easier than selling one” given the high visibility and historic footprint of the stolen panels.
She explained that high-profile art of this kind rarely gets sold, often spending years traded within the criminal underworld as leverage for other illegal activities.
Born in Sicily around the year ۱۴۳۰, Antonello da Messina stands as one of the defining masters of the early Italian Renaissance. Because few of his works survive today, his surviving paintings are considered irreplaceable cultural treasures.
The theft follows a separate case days earlier in Parma, northern Italy, where police recovered three stolen works by Renoir, Cezanne and Matisse valued at roughly $۱۱.۵m.
